At least one tactic or event preceding the release of Beyoncé's second solo album inspired a bemused three-syllable exclamation from anyone who was paying attention. The lead single, the late-'70s-funk-inspired Deja Vu, had the audacity to not be as monstrous as Crazy in Love -- its stay at the top of the charts was relatively brief, so clearly there was evidence of some drop-off there. This was quickly followed by Ring the Alarm, an angered, atonal, and out-of-character song with an accompanying video that invited all kinds of perplexed analysis, along with debate on whether Beyoncé was being autobiographical or, as the singer claimed, channeling her Dreamgirls character. All of this gave the haters plenty of ammo when anything less than 1 ... See more